hand-in-hand

From Habitat magazine - issue 30

Wellington architect and Resene Total Colour Lifetime Achievement Award winner Gerald Parsonson sees colour as a crucial component of successful design.

Gerald Parsonson

How did your love of colour and using it in architecture begin?

I have always had a love of the natural world. Nature is full of colour, from subtle to strong. Just cutting a piece of fruit open can be a beautiful thing.

What effect does colour have on your designs?

I like to explore local character in my work and colour is one of the tools to help accomplish this. The choice of colours can determine whether a building subtly fits into its setting or stands out, and the colours in a room have a huge effect on the success of its design.

Building spaces can cost hundreds of thousands – or even millions – of dollars. While the cost of painting is a relatively small component of that, colour has such a strong effect. As a designer, that means you get a lot of bang for your buck.

“The choice of colours can determine whether a building subtly fits into its setting or stands out.”


Gerald Parsonson designed this 87m2 beach house for Richard Stewart and Kerry Sexton in Te Horo, north of Wellington. Designed with economical materials, it makes use of a simple pitched roof angled to catch the nor’wester breeze and shelter it from southerlies. Gerald was rewarded with a Resene Total Colour Award for both its interior and exterior.

How would you describe your personal style?

I consider myself a localist. I really like to explore the subtleties and stories of the areas I end up working in, and that has an impact on my personal style.

Which types of colours are you most drawn to?

I enjoy a lot of different colours for different reasons, but I do like the soft blues/greys/greens, which are very calming and relaxed, and can work well with many other colours such as creams, rusty oranges and watermelon reds. In a seaside setting they can be used to offset weathered timber and metal, and pick up on the colours of sea, sky and hills.

I think there is a place for any colour to get worked into my designs, in larger or smaller amounts. For example, just like good music, a good colour scheme can be made great by using strong or bright colours in small areas.

What are your three favourite colours from Resene’s latest The Range fashion colours collection, and why?

See more of Gerald’s work at www.p-a.nz.

 

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