b'ReseneSpanish GreenReseneResene Tom ThumbWhy perception plays Green Meets Bluea major role in how your Resene paint colours appear.C olour may be indispensable when it comes toit.Thiseffectcausescolourstolookdramatically shaping the aesthetic and emotional experiencedifferentdependingontheircontext.Mostcolours of our built forms and interior spaces, but ourhave a tendency to induce its opposite in hue, value and perception of colour is far from absolute. Thanks to theintensity upon an adjacent colour and will be mutually principle of relativity, the appearance of a paint colouraffected in return. A light, dull red will make an adjacent is greatly influenced by adjacent hues, lighting, texturedark, bright yellow seem darker, brighter and greener; and contextand understanding these interactions isin turn, the red will appear lighter, duller and bluer. In crucial for creating harmonious, dynamic and visually- practice, this means that selecting paint colours for compelling environments. a project involves more than just choosing hues that look good in isolation. Instead, the key is to consider Perception and relativity howtheResenepaintcolourswillinteractwiththe Colour perception is a complex process involving theother colours and materials used in the palette and the interplay of light, our eyes and our brains. Our eyeslighting circumstances within the finished space.contain two types of photoreceptors (cells that respondThe effect of lighting above: In this project, Resene Spanish Green has been painted on both a vertical surface to light), which are known as rods and cones. Rods,(the wall) and a horizontal surface (the tabletop). However, as the surface of the table is much which detect dim light, are used for night vision whereasWhen considering relativity, its crucial to remembersmoother than the wall and the table is reflecting more direct light, the colour appears to cones respond to bright light. These photoreceptorsthat different types of lighting can significantly alterbe lighter. Most walls have at least some level of texture to them, which could be more send messages to our brain, which interprets differenttheappearanceofpaintcolours,too.Naturallight,pronounced depending on the materials theyre constructed from and if the surface is older wavelengths into our personal perceptions of colour. Inincandescentbulbs,fluorescentlightingandLEDand has been painted many times before. The same paint colour may appear darker on addition to physiological factors like colour blindnesslights each have unique colour temperatures that canwalls that are more textured because the surface diffuses light and reflects it off into many andage-relatedmaculardegeneration,howweaffect how your projects colours are perceived. Ourdifferent directions. Higher sheen paints also reflect back more light than flatter or lower perceive colours can also be significantly influenced bynatural lighting tends to have a blueish hue, especiallysheen formulas, so despite being tinted with identical pigments, they appear different in situ. phenomena such as simultaneous contrast. at midday, which can make cool colours appear moreThis effect is further amplified when the two surfaces being perceived are at different angles in relation to the light source. Wall painted in Resene SpaceCote Low Sheen tinted to Resene Simultaneous contrast occurs when the appearancevibrant while warm colours can appear more subdued.Spanish Green, table painted in Resene Lustacryl semi-gloss waterborne enamel and chair seat ofacolourisaffectedbythecolourssurroundingThis effect is amplified in circumstances where morein Resene Lustacryl semi-gloss waterborne enamel tinted to Resene Tom Thumb. 64 blackwhitemag.com'