b'T hanks to the internet and social media, ourcoming months, we will see far fewer changes in Spaces withtheindustryisexperiencingunprecedentedcolour trends. Instead, a deeper transformation access to inspiration, new materials andin how designers and clients approach space, abilitytosourcefurniture,fixturesandmeaning and mood is taking place.dcor from anywhere in the world. However,Thisreturntosubstancedoesntmeana substance this interconnectedness can be a double-edgedrejection of beauty or innovation. Rather, its a sword. Not only can it be harder to be decisiveredefinition of both. Personalisation is stepping in the face of endless options, but we also findinto the spotlight, with clients increasingly seeking ourselves wading through a rising tide of noiseinteriorsthatreflecttheirvalues,historiesand thatattemptstoreducedesigntoaestheticlifestyles.Inresidentialprojects,thismight content and a surface-level spectacle in pursuittaketheformofheritagecolourreferences Designing spaces with intention of likes, follows and engagement. or tactile, natural materials that tell a story. In in an age of aesthetic overload. Gooddesign,ofcourse,shouldnevercommercial offices, were continuing to see a shift bedictatedbyaestheticsalone.Itis,atitstowardenvironmentsthatnurtureemotional core, a practice of listening: to clients, to theconnection,withcolourplayingacriticalrole environmentandtohistory.Inindigenousincraftingthesenarratives.Inbothcontexts, cultures,landandplacearenotjustpassivethe emphasis is on creating interiors that mean backdrops; they are active participants in thesomethingspaces that are not only visually design story. The concepts of whakapapa forappealing but emotionally resonant and relevant.Mori or Country in Aboriginal culture challengeIt is worth pointing out that, while commercial us to think not just in terms of style, but inoffices and institutional interiors can be natural terms of belonging. When we embrace thesecandidatesforslowerandmoreconsidered consideredapproaches,materialselectionsdesign approaches which arent as influenced by are no longer just about colour or finishtheyshifts in colour trends, retail, salons, restaurants become about continuity, sustainability and care. andotherhospitalityspacesoftenneedto Our fatigue for endless scrolling seems to be fuelling a palpable shift. The era of aesthetic overload has reached its saturation point, and in its place, a quieter, more grounded design sensibility is emerging that prioritises substance,ResenelongevityandpersonalresonanceovervisualCorvette Resenenovelty. This movement is reshaping not onlyAvalanchewhat colours we choose, but why we choose them.Ratherthanchasingseasonally dictatedpalettes,moredesignersareReseneturningtotonesthatholdemotionalQuarter Reseneweightandculturalrelevance.IntheCanterbury Clay Hot Toddyleft: Fatigue from endlessly scrolling social media is leading to an anti-trend movement where authenticity is admired over skin-deep aesthetics. Wall in Resene Corvette, table and vase in Resene Avalanche, candle holder in ReseneResene ReseneHot Toddy, cutlery holder in Resene Cinder, plate in ReseneQuarter CinderQuarter Canterbury Clay and bowl in Resene QuarterThorndon CreamThorndon Cream. Stool from Good Form.4 blackwhitemag.com'